L’opera si intitola: La trasparenza.
Così l’autore la descrive:
Tecnica. Tempera su legno querciato, mosaicato in sasso e
salsedine del mare morto.
Soggetto. Ricerca della trasparenza nell’individuo che ci sta
intorno, visualizzando la diafanità del corpo mediante la tecnica
e il materiale usato che sprigiona una forza positiva capace con
il suo magnetismo di allontanare, dall’ambiente in cui vive
l’opera, tutta la negatività intenzionata ad entrarvi. La vitalità
dell’opera è constatabile effettivamente. Il semplice contatto
delle dita sull’opera rende reale la trasmissione del magnetismo
positivo che essa contiene e continua a dispensare.
FAUSTO BOCEDI
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Fausto Bocedi produced two works in Sant'Eframo Judiciary
Psychiatric Hospital in Naples.
The first one dates the 24th July, 1994 and is catalogued from
the Author as:
Title: The end.
Technique: tempera on rock mosaic and Hindu soil.
Subject: virtual representation of a negative soul leaving a
lifeless body.
The second one dates 14th August, 1994 and has no artistic
aim. It has a magical one. It could be identified as an elusive
resource. Since the author is prisoner of the institution he recurs
to magical thinking in order to change the negativity of the
asylum.
Title: Transparency
The Author describes it so:
Technique: tempera on oak wood, with mosaic in rock and
dried salt from Dead Sea.
Subject: research of transparency of the individual by
visualizing the diaphanous body through the technique and the
used material. It should release a positive magnetic force able
to exclude the negativity willing to enter the environment the
work is in.
The vitality of the work is practically established. A simple, light
contact with the surface of the work proves the existence of a
positive magnetism that belongs to it and keeps being released.
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